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Toning Cyanotypes with Plants

Kathy K Toning Cyanotypes with Plants

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C$ 55.00 Excl. tax

Dates: Thursday February 5th 2026 from 6PM-9PM
Location: 1265 Howe Street, Vancouver, V6Z 1R3
Instructor: Kathy K
Level: Beginner

  • File number: WKSP 589

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Cyanotypes are a beautiful blue colour, but blue isn’t the only colour you can get from them. In this workshop you will learn about toning cyanotypes to get other tones like brown and turquoise. Using various plant materials, we will tone cyanotypes and talk about the many ways we can experiment with the process and affect the final colours. This is a sustainable process that doesn’t use any harsh chemicals, just plant material you might find around your home. It is a good option for creating prints that have a historic process look without using silver nitrate or other chemicals that can be hard to find or need more caution when handling. The workshop will cover the process of toning with plants, how to get different colours in the images, which prints and papers work best for toning, and what steps are next in the toning adventure. You will need to bring 4 – 5 of your cyanotype prints that you are willing to experiment with. Up to 8×10 only please! Slightly overexposed prints tend to work best.

 

Kathy Kinakin (she/her)
 
Kathy Kinakin works mainly with pre 1900s historic photographic processes, as well as researching and experimenting with sustainable practices in analogue photography. She uses a variety of camera formats including handmade pinhole cameras, box cameras from the 1930s and large format 8x10 antique view cameras. In her work, she produces unique handmade images that document landscapes altered and encroached on by human intervention. Along with the images, the process of taking the photographs becomes a path to navigating and coming to terms with the relationship between humans and nature.
 
She has curated exhibitions in Vancouver and Toronto and has shown her work in galleries in Vancouver and Italy. She holds an MA in Photographic Preservation and Collections Management from Ryerson University, Toronto, and a BFA in photography from Emily Carr University of Art + Design, Vancouver. She is currently a sessional instructor at Emily Carr University, and teaches workshops on analogue and historic photographic processes.