Workshops are kept small to facilitate more individual instruction. They are an excellent way to discover new mediums and techniques or to further develop skills in different mediums. We accept Interac, Visa, Mastercard, and American Express. Refunds are only available more than one month prior to the workshop start date. In the event that insufficient students have enrolled, a full refund will be applied. To register for one of these workshops, or for more information, please contact us at 604 688 1724 or infomalaspinaprintmakers.com
introduction to monotypes
Four Wednesdays from February 1 to 22, 2012 from 6 to 9pm
Molly Winston
$240 for members ($264 for nonmembers)
Known as the most painterly method of printmaking, monotypes are a unique combination of painting and print. Made popular by artists such as Hercules Seghers and William Blake, monotypes are appealing for their unique translucency that creates a very different quality of light different from painting on paper. The medium encourages spontaneity and can be easily combined with other methods of printmaking, painting and drawing. This course is an introduction to the basic techniques, processes and history of monotype. Students will explore methods of painting positively and negatively, using multiple plates to create layers, and using both water-based and oil-based inks.
Molly Winston completed her MFA at the University of Pennsylvania in 2008 and her BFA in Painting at the Maryland Institute College of Art in 2005. Before moving to Vancouver, Molly served as adjunct faculty at the University of Pennsylvania College of General Studies and as exhibitions coordinator at the Van-Pelt Deitrich Rare Book and Manuscript Library in Philadelphia. She has studied, exhibited and taught printmaking in a variety of techniques for the past eight years.
introduction to traditional black and white photography
Six Saturdays from February 25 to March 31, 2012 from 12 to 3pm
Dan Siney
$360 for members ($396 for nonmembers)
Traditional black and white photography is an art form that still inspires us today to create new perspectives, capture a time and place, and to record our world with patient attentiveness. With equal focus on technical, conceptual and creative elements, students of this workshop will engage with both the spontaneous and rigorous sides of photography. Learning objectives include how to use a manual SLR and how to print in a darkroom. In doing so we will also start to develop an awareness of how our cameras record light to create composition and effects like narrative and mood. Through technical and conceptual assignments, darkroom and field workshops, discussions and group critiques, students will explore the foundations of photography while investigating their own perception and personal style.
Dan Siney is a Vancouver based artist and graduate of the Emily Carr University of Art and Design, 2003. Since that time Dan has been showing his photographic and video works in publications and exhibitions internationally. He has also worked as a stills photographer on film sets, managed a speciality black and white darkroom, produced fashion and editorial work for magazines, and most recently finished a temporary contract as Photography Facilitator at the Banff Centre for the Arts. At Malaspina Printmakers Society Dan teaches darkroom and digital printing practices, and volunteers as the digital printing technician.
stone lithography for beginners
Five Mondays from February 27 to March 26, 2012 from 6 to 9pm
Julie McIntyre
$300 for members ($330 for nonmembers)
Students will learn the basics of lithography, such as graining stones, stone on stone methods, using levigator, lithographic pencils, rubbing crayons, various tusche and toner washes, autographic ink and asphaltum drawing, as well as many other processes and techniques. An introduction to the history of lithography will be presented and common lithographic problems and corrections will be explored.
Julie McIntyre studied at the Banff Centre, Alberta in 1986 and received her BFA from Queen’s University with a major in printmaking. She has had solo shows in 18 public galleries in Canada and participated in well over 45 juried exhibitions, including 21 international credits to date. While lithography remains her first love, over the past ten years, Julie has been sewing her prints into quilts, artist books and wearable art. She has also been involved in teaching the arts to children and adults across Canada since 1983 and is currently in her fourth year as an Artist in Residence with The Vancouver School Board. By way of giving back to the community, Julie is in her third term as President of CARFAC BC, first year as Treasurer of CARFAC National and CARCC, as well as being an active volunteer with Main Street Drift, Craft Council of BC and Public Dreams Society. She was President of MPS in 1996-98 and formerly taught, (her second love), their relief printmaking course.
photoshop and digital printing on the epson 9880
Four Tuesdays from April 3 to 24, 2012 from 6 to 9pm
Melanie Bond
$240 for members ($264 for nonmembers)
Digital technology offers artists a new way to create and produce images. To appreciate the range of possibilities and effectively use this medium one needs to explore and understand the tools including software, printers and their interactions. This workshop will cover aspects of Photoshop relating to the production of digital prints. Participants will print on a variety of media (Epson fine art paper, chine colle paper and transparency). Beginning with file preparation, topics will include optimizing colour balance, the use of layers, the addition of text and special layer functions and filters. The operation of the Epson 9880 will include paper handling, loading rolls and sheets of media, troubleshooting and common errors as well as special printing techniques such as printing in black on transparency.
Melanie Bond completed her BSc. (Biochemistry) 1979, BFA (Visual Arts) 2005 and MFA (Visual Arts) 2008 at UBC. She studied drawing and painting at the Visual Arts Centre in Montreal. Melanie has worked as Print Technician at UBC and Studio Coordinator at Malaspina Printmakers. She recently attended an advanced etching workshop at Crown Point Press in San Francisco and a seminar in offset lithography at the Society of Northern Printmakers in Edmonton. Her works have combined digital images with traditional print techniques such as intaglio, lithography and embossing. She has taught other courses at Malaspina including digital printing, etching, lithography, relief and collaboration.
beginner printmaking without a press
Friday April 20, 2012 from 9am to 12:30pm
Anna Di Spirito
$60 for members ($66 for nonmembers)
This workshop is aimed at anyone interested in creating prints without needing a press. The workshop will address classroom strategies for teachers (appropriate for grades 5 to 12). It will cover both simple techniques to the more sophisticated multimedia applications. Participants will be given hands-on experience with many of the techniques covered. The areas and processes that will be covered are relief prints, Plano graphic-lift and monotypes. Students will combine processes and step out of traditions by using various materials, images, registrations and presentations.
Anna Di Spirito graduated from the Vancouver School Art, majoring in Photography and Printmaking, received her BED from UBC, and her MED from Western Washington University. Anna has over 25 years of teaching experience in Art Education. Her work has been exhibited in BC, Alberta and Washington.
woodcuts: materials and processes
Four Wednesdays from April 4 to 25, 2012 from 6 to 9pm
Richard Tetrault
$240 for members ($264 for nonmembers)
This intensive workshop will introduce participants to the technique of woodcut. Participants will gain a good understanding of the materials and techniques of designing, cutting and printing, including: transposing images into woodcut formats; transferring drawings to the blocks; incorporating various woodblock cutting techniques; the basics of tool sharpening and maintenance; experimenting with papers; and, the use of press and hand-printing techniques. Emphasis will be on experimentation to produce exciting and unexpected results. We will explore one and two colour block, multiple block and reduction techniques. Using a range of papers such as mulberry, cotton rag and others, participating artists will come away with an enhanced understanding of both materials and processes. By the end of each session, artists will have several finished works. The portable nature of relief printmaking allows the artist to create a series of prints working in virtually any size of studio.
Vancouver based painter, muralist and printmaker Richard Tetrault has participated in exhibitions in Canada, Japan, the Netherlands, Poland, France, Mexico, Cuba and the United States. Using the relief print mediums of wood and linoleum, Tetrault creates large-scale, dramatically composed prints that reflect the contemporary urban environment. His prints are in numerous private and public collections worldwide, and they are featured in several published books, including Oppenheimer Park, The Suzie ‘A’, Painted Lives and Shifting Landscapes, and the Alcuin award-winning Signs of the Times, Anvil Press Publisher. Richard Tetrault has printed at Malaspina Printmakers for a number of years, and his works can be viewed at their studio/gallery location on Granville Island in Vancouver.
introduction to screenprint
Four Wednesdays from March 7 to 28, 2012 from 6 to 9pm
Meggan Winsley
$240 for members ($264 for nonmembers)
This workshop will explore the basics of screenprinting, a process derived from stencil printing, including the direct stencil methods, photo-based screenprinting techniques, inks and modifiers. Water-based inks are used in this workshop. This process works for photo-based, hand drawn or computer manipulated images. This course is suitable for beginners and those who want to refresh their screen-printing skills.
Meggan Winsley received her BFA Honours, with a specialization in printmaking, from York University in 2004. After graduation, Meggan continued her print practice at Open Studio in Toronto, where, along with her print work in screen-printing, intaglio and lithography, she also worked as a technician and instructor. Meggan was heavily involved in the Open Studio community volunteering in the studio and for special events. In 2009, Meggan made the move west to Vancouver and set up her print practice at Malaspina.
inksmith!
Saturday February 18, 2012 from 12 to 4pm
Kathryn Neun
$60 for members ($66 for nonmembers)
Inksmithing, an emerging practice, accompanies a printmaking revival. Within a printmaker’s forum, this integral craft engages palette preparation. Make relief and intaglio inks, or monotype oil paints. An inksmith’s awareness finds creative context through an endeavor in technique. Color respires and extends the potency of the image printing process. Share an articulate invention and sustaining naturalization; a renewal of inksmithing.
Kathryn Neun has B.F.A. honours from York University. She attended Banff School of Fine Art (Intermedia) and studied printmaking at Ontario College of Art and Design. Participating in Mahone Bay Printmaking Group from 2005 and an exhibiting member of Nova Scotia Printmaking Association, she is represented by Zephyr Lieu D’Art in Montreal. She recently had a solo exhibition at Vancouver Island University in Powell River. Experience in preparing oil paints and inks led Neun to experiment using industry oils, alternative pigments and aggregates.
aquatint weekend workshop
Two Saturdays on February 11 and 25, 2012 from 12 to 5pm
Nathan Grimson
$120 for members ($132 for nonmembers)
This workshop will introduce participants to the basics of performing an aquatint with rosin. I will focus on the traditional aquatint process of dusting powdered rosin on a plate, fusing it with heat, and etching the plate in acid. Artists use aquatint, a form of etching, to create delicate washes, a different range of tones and velvety blacks.All materials are provided and at the end of the workshop artists will walk away with an print composed entirely out of the aquatint process. This workshop is suitable for beginners and those who want to enhance their prints with aquatint etching.
Nathan received his BDES with a specialization in printmaking from the University of Alberta in 2005. After graduation, Nathan continued his print practice at Malaspina Printmakers with the student scholarship. He has worked as the printshop coordinator at SNAP (the Society of Northern Alberta Printmakers) in Edmonton and is currently the studio technician at Malaspina Printmakers.
REGISTRATION FEES
Malaspina Printmakers accepts Interac, Visa, Mastercard, and American Express. Refunds are only available more than one month prior to the workshop start date. In the event that insufficient students have enrolled, a full refund will be applied. To register for one of these workshops, or for more information, please contact us at 604 688 1724 or infomalaspinaprintmakers.com